GIRLS PAINTED ON A PRINTED FABRICS
At the National College of Art and Design, graduates show the space occupied by Eva O’Donovan artwork called Metropolitan Girl was rather small in relation to all the paintings featured. Yet, the room was filled in with the female energy. The very intense energy of a strong very classy woman. The paintings were in a dialogue with the viewer or in that case with me … that’s what it felt like. Each was whispering something else to me and each had a different personality, character and the mood. I had an impression of being on the stage, surrounded by the characters from the paintings that were focusing and paying a lot of attention to me too. I was taking something from them and they were taking something from me. Exchange of an energy. Very theatrical and very clever, if that was an intention of the artist than it worked very well.
The entire mood of the Metropolitan Girl showcase reminded me of the scene in the movie with Geoffrey Rush called Deception (also known as The Best Offer). The character admires the private paintings that are locked in a large room of his house. A massive collection of female portraits possessed by their private collector and the collector possessed by the paintings.
‘An interpretation of portraiture. Oil painting on printed heritage fabrics with references to ideas of beauty appropriated from print media. Paint is applied in a controlled manner with background fabric playing as much of a role as the figure painted on it. A figure emerges out of the background with a sense of cinematic drama.’ says Eva O’Donovan www.evaodonovan.com