The Science Gallery in Dublin is located on the ground of Trinity College. It is an independent non-profit gallery and the world’s first university-linked network dedicated to public engagement with science and art. The gallery occupies two floors with a coffee shop, gift shop and an auditorium for lectures. I try to visit the gallery a few times a year, the exhibitions are always very educational at the same time the viewer is asked a lot of questions. You can always get a full explanation from dedicated students involved in the show at the time. The gallery also offers lectures on various scientific topics.
In Case of Emergency is the most recent exhibition which is nearly coming to an end. I like the innovative and interactive way the facts are presented. Made a short recording of it, the display unit is a book with projected images.
Wall covered with clocks showing specific times around the world as an expression of political and historical events such as nuclear weapon tests, revolutions, massive changes. Took a photo of the one that felt the most personal.
Year: 1990 Minutes to midnight: 10 The difference from the previous setting: -4
European countries like Poland, Czechoslovakia, Hungary and Romania free themselves from Soviet control with no resistance or retaliation by Soviet General Secretary Mikhail Gorbachev. In late 1989, the Berlin Walls falls, symbolically ending the Cold War.
Words coming out from those visuals projects will give you chills. Summary of the world we live in today. It helps to understand our confusion. The macroeconomic, social and financial emergency – can we do anything to stop the decline?
She grew up after the Cultural Revolution as a part of the one-child policy. Today she produces covers and advertising campaigns for fashion magazines including Marie Claire, i-D, Elle, Vogue, Harper’s Bazaar and collaborates with major brands worldwide. She started studying painting when she was only two years old. Later on, in life moved to various kinds of paintings including Western, Chinese also studied architecture and graphic design. The need for change made her want to try photography. Today she mainly photographs people.
‘We should utilise the way people view fashion to repackage issues such as animal protection, classic philosophies and traditional things because people’s eyes are spoiled by materialism.’
For a long time, she was not recognised by other Chinese photographers as an artist. Her career has gone through three stages; the first stage was the Vision series for Vision Magazine. Then entered a fashion scene, that’s when her second stage began. Chen Man started doing a lot of fashion and commercial shoots. Her third stage is fusing Chinese artistic roots with a Western approach. She combines photographic techniques and posts work technologies.
Chen Man is the first to photograph China’s contemporary fashion scene, capturing the traditional culture and philosophies in visual settings. Her work expresses the relation between East and West, present and the future, earth and humans and the universe and humans.
‘To change the world you need more than one person’s strength. It’s not like before with the hero doctrine. To change the world you need the strength of the collective. So I photograph groups of people.’