The concept for the pop-up shop is a combination of two elements; wood the Canadians natural resource and jazz music. The construction of the container is solid and classic. Walls are covered in a black colour, spiced with an orange in reference to vivid notes in jazz. The display units are inspired by the shape of music coming out of a saxophone or a grand piano.
The Montreal Jazz Festival takes place every year in July and it is the largest jazz festival in the world. Every year it brings in around 3000 artists from 30 countries. The festival hosts in around 2 million people every year.
If it ever came to a construction of this pop-up shop converted from a freight train container I imagine it in a dense greenery, park or in the forest. Often, the deep, dense of greenery is so dark it appears black. Therefore, the colours of the pop-up shop would balance very well in nature, creating a coherent unity.
This screen and digitally printed collection for unisex street-ear are designed using heavy cotton, sweatshirt knits, natural denim and jersey to create an Autumn/Winter collection. The theme of this collection is sleep deprivation. The character Timothy was developed through an exploration of this topic. His night-time imagination, the stagnant light and frustrating times are explored to create an original and eccentric aesthetic.
My design process is driven by colour, surface and construction. Architectural forms, geometric patterns and 60s and 70s interiors inspire me. For my degree show, I have created a series of playful, interlocking, multimedia textile modules that can be adapted and rearranged for a multitude of interior purposes.
Words can heal, art can be anything
My work is driven by the need to represent some of the challenges of mental health through materials, imagery and text; to represent the world in a different way. The faces are a depiction of the multitude of directions that someone’s life can take when they are at the point of crisis.
Research is driven by childhood memories and themes around civilisation versus nature. Contrasting structured silhouettes and playful tulle, my womenswear collection portrays what we usually view as a weakness becoming a strength.
Passion in the Kitchen
A romantic ephemeral collection based on my parent’s relationship in their restaurant. Creative fabric manipulation techniques combined with an organic approach to garment construction are the main drives in my work.
My aim is to reflect the beauty of nature in the clothes that we wear. Shimmering Crowntails is an exploration of the reflective and refractive metallic surface qualities of fish. The challenge is to turn something old into something new, to create beautiful handcrafted unique, vintage garments with a contemporary look.
Luv Club brings together two contrasting identities: traditional Croatian dress and the creativity instigated in a clubbing environment. I pay homage to the Licitar, a gift of love and use my personal documentation of clubs and parties to create a new identity. A celebration of love and party culture.
In ancient Ireland, mythology and folklore were a fundamental part of the knowledge encompassing each tree. They were talismans, each with their own meanings, uses and stories. My work explores native Irish woodlands through the juxtaposition of each species recreated in cloth, with excerpts from the National Folklore Collection.
OTHER FASHION&TEXTILE ARTISTS
I could not find a link or a name to all the artists featured in this post. If you recognise your artwork here please, contact me and I will provide the relevant links.
This is the very first window display I have created during the Visual Merchandising course I did in DIT College in Dublin. I wanted to create a window which was a mix of a traditional British style and child-like drawings. I wanted to show this in a grotesque way, as a place where little girls like to dress in their mother’s clothes pretending they are adults. The window proposal is made of an electric tape, chalk and handmade paper bags as a merchandising product.
THE PROCESS OF MAKING
Researched British folk, illustration and patterns to develop the design idea.
It is a pity … that when walking through Dublin town one has to pay so much attention to the traffic. Concentrating only on what’s on the eyes level. Let’s be honest very uneven sidewalks, holes in the road and so on make it hard to look around. Dublin is a small but very busy town.
Otherwise, all those cool signage and typography would be much more appreciated. I really like the cool signage at the facades of Dublin’s shops, restaurants and coffee shops. Influenced by the Victorian industrial era carrying the history and the past of the town.
Last weekend I had a quick run through Dublin town. I wanted to check the spring windows display. It is a long and cold winter this year anno domini 2018. Only very few stores have made a reference to the Easter time and mostly inside of a store rather than in the windows. Otherwise, the displays are domineered by a splash of vivid and intense colours for the coming season.
Here is a link for Abama display company, recently I have been receiving catalogues with their products. The company is based in Germany and it is a supplier of a wide range of props and products for window displays and various decorations. Hope for those who are interested in or work in visual merchandising it would be a useful website to browse on 🙂