Marsh Library is located just beside St. Patrick Cathedral in Dublin. It is a truly magical and mysterious place. As a visitor, you can sense the three hundred years old history hidden in books, walls and dark oak wood that was used to build the library. The atmosphere resembles the mood of the place described by Umberto Eco in his book called The Name of the Rose.
After visiting the library I was given a project to design a poster for the Dublin Science Conference in 2012.
The Universe is floating in space, inviting viewers to an exhibition in Marsh Library. The whole poster was designed and manipulated in Photoshop where I tried different colour combinations.
This screen and digitally printed collection for unisex street-ear are designed using heavy cotton, sweatshirt knits, natural denim and jersey to create an Autumn/Winter collection. The theme of this collection is sleep deprivation. The character Timothy was developed through an exploration of this topic. His night-time imagination, the stagnant light and frustrating times are explored to create an original and eccentric aesthetic.
My design process is driven by colour, surface and construction. Architectural forms, geometric patterns and 60s and 70s interiors inspire me. For my degree show, I have created a series of playful, interlocking, multimedia textile modules that can be adapted and rearranged for a multitude of interior purposes.
Words can heal, art can be anything
My work is driven by the need to represent some of the challenges of mental health through materials, imagery and text; to represent the world in a different way. The faces are a depiction of the multitude of directions that someone’s life can take when they are at the point of crisis.
Research is driven by childhood memories and themes around civilisation versus nature. Contrasting structured silhouettes and playful tulle, my womenswear collection portrays what we usually view as a weakness becoming a strength.
Passion in the Kitchen
A romantic ephemeral collection based on my parent’s relationship in their restaurant. Creative fabric manipulation techniques combined with an organic approach to garment construction are the main drives in my work.
My aim is to reflect the beauty of nature in the clothes that we wear. Shimmering Crowntails is an exploration of the reflective and refractive metallic surface qualities of fish. The challenge is to turn something old into something new, to create beautiful handcrafted unique, vintage garments with a contemporary look.
Luv Club brings together two contrasting identities: traditional Croatian dress and the creativity instigated in a clubbing environment. I pay homage to the Licitar, a gift of love and use my personal documentation of clubs and parties to create a new identity. A celebration of love and party culture.
In ancient Ireland, mythology and folklore were a fundamental part of the knowledge encompassing each tree. They were talismans, each with their own meanings, uses and stories. My work explores native Irish woodlands through the juxtaposition of each species recreated in cloth, with excerpts from the National Folklore Collection.
OTHER FASHION&TEXTILE ARTISTS
I could not find a link or a name to all the artists featured in this post. If you recognise your artwork here please, contact me and I will provide the relevant links.
A few weeks ago I was passing by The Instituto de Cervantes in Dublin and was attracted by the poster in the window. I decided to walk in a check the exhibition called Collection of Wonders. At first thought, it was an exhibition of few different artists as the artwork, in my opinion, was quite versatile.
The exhibition Collection of Wonders gathers a selection of the most significant works by Isidro Ferrer, one of the most remarkable designers and illustrators from Spain known for his originality and genius. The show has a great number of his poster design work and book illustration and has been curated by Tina García, specialised in cultural management and illustration from Asturias, Spain.
Isidro Ferrer(Madrid, 1963) is currently one of the most representative artists in Spain in the fields of design and illustration. He has worked for international firms as a commercial artist, graphic designer and in animation and storyboarding for TV. In Spain, he has received the National Design Award in 2002, the National Illustration Award in 2006. He has also been granted a European Design Award in the Posters category in 2008 and gained the Silver in the Golden Label Awards in 2013. His work has been exhibited in numerous solo shows in Spain, France, Chile, Mexico or Portugal, among other countries. (text source Collection of Wonders)
I was studying graphic design here in Dublin for two years and I wish in the course I was doing they would encourage students more to use different media. Like in Isidro Ferrer artwork. Handmade props in combination with photography and software for layout design. The posters are unique and very expressive while transferring the visual message.
The Science Gallery in Dublin is located on the ground of Trinity College. It is an independent non-profit gallery and the world’s first university-linked network dedicated to public engagement with science and art. The gallery occupies two floors with a coffee shop, gift shop and an auditorium for lectures. I try to visit the gallery few times a year, the exhibitions are always very educational at the same time the viewer is asked a lot of questions. You can always get a full explanation from dedicated students involved in the show at the time. The gallery also offers lectures on various scientific topics.
In Case of Emergency is the most recent exhibition which is nearly coming to an end. I like the innovative and interactive way the facts are presented. Made a short recording of it, the display unit is a book with a projected images.
Wall covered with clocks showing specific times around the world as an expression of political and historical events such as nuclear weapon tests, revolutions, massive changes. Took a photo of the one that felt the most personal.
Year: 1990 Minutes to midnight: 10 Difference from the previous setting: -4
European countries like Poland, Czechoslovakia, Hungary and Romania free themselves from Soviet control with no resistance or retaliation by Soviet General Secretary Mikhail Gorbachev. In late 1989, the Berlin Walls falls, symbolically ending the Cold War.
Words coming out from those visuals projects will give you chills. Summary of the world we live in today. It helps to understand our confusion. The macroeconomic, social and financial emergency – can we do anything to stop the decline?
At the National College of Art and Design, graduates show the space occupied by Eva O’Donovan artwork called Metropolitan Girl was rather small in relation to all the paintings featured. Yet, the room was filled in with the female energy. The very intense energy of a strong very classy woman. The paintings were in a dialogue with the viewer or in that case with me … that’s what it felt like. Each was whispering something else to me and each had a different personality, character and the mood. I had an impression of being on the stage, surrounded by the characters from the paintings that were focusing and paying a lot of attention to me too. I was taking something from them and they were taking something from me. Exchange of an energy. Very theatrical and very clever, if that was an intention of the artist than it worked very well.
The entire mood of the Metropolitan Girl showcase reminded me of the scene in the movie with Geoffrey Rush called Deception (also known as The Best Offer). The character admires the private paintings that are locked in a large room of his house. A massive collection of female portraits possessed by their private collector and the collector possessed by the paintings.
‘An interpretation of portraiture. Oil painting on printed heritage fabrics with references to ideas of beauty appropriated from print media. Paint is applied in a controlled manner with background fabric playing as much of a role as the figure painted on it. A figure emerges out of the background with a sense of cinematic drama.’says Eva O’Donovan www.evaodonovan.com