BREAD PACKAGING

Olive bread packaging

THE BAKER ON NASSAU BREAD PACKAGING

The brief asked for a label design for an imaginary gourmet bread line, produced by The Baker on Nassau. Each bread has its own history, tradition and recipe.

I based my concept on the bread origin. Emphasising typefaces as a reference to a cultural aspect of the place. Each label tells a brief history of the product. The label wraps the bread in such a way the consumers could hold it without getting covered in a floor.

Gold Rush bread label typeface refers to 1920s in America and the yellow colour is a reference to sun heat, gold and corn.

Leningrad bread label typeface refers to Lenin and the red colour is a reference to Communist Russia.

Dubh bread label typeface refers to Celtic Ireland and the green colour is a colour of Ireland, the Green Emerald.

Olive Branch bread label typeface refers to the traditional Greek alphabet. The blue colour is a colour of sunny Greece, the popular holiday’s destination.

PRESENTATION OF THE BREAD LABELS

bread packaging
Gold Rush&Leningrad bread packaging
bread packaging
Dubh&Olive Branch bread packaging

DUBH – IRISH BREAD PACKAGING

 

Dubh bread packaging

Dubh bread packaging
Dubh bread packaging

GOLD RUSH – AMERICAN BREAD PACKAGING

 

Gold Rush bread packaging

Gold Rush bread packaging
Gold Rush bread packaging

LENINGRAD – RUSSIAN BREAD PACKAGING

Leningrad bread packaging

Leningrad bread packaging
Leningrad bread packaging

BLACK OLIVE – GREEK BREAD PACKAGING

 

Olive bread packaging
Olive bread packaging

LABELS DETAILS

Gold Rush bread packaging
Gold Rush bread packaging
Leningrad bread packaging
Leningrad bread packaging
Olive bread packaging
Olive bread packaging
Dubh bread packaging
Dubh bread packaging

Author: Aleksandra Walkowska

VICTORIAN PACKAGING

Victorian tea and coffee packaging

VICTORIAN STYLE PACKAGING

This is a mock project for the tea and coffee packaging. The aim of it was to design 3D product following the styling of the set and then a photo shoot.

The Thompson Tea and Coffee Company based in Britain has been importing their products from Kenya for almost 150 years, so it would mean they started their trade journey during The Victorian Era. This was my starting point of the concept development.

 

Looking back now, I think I must have been inspired by the book I read as a child called In Desert and Wilderness wrote by Henryk Sienkiewicz. It tells a story of two kids travelling through Africa. The description of nature in the book is so superbly written that as a child I was able to imagine and feel the dust, the humidity, the burning sun heat, the smell of camels, leather, tea and yes coffee too if such was present.

I wanted to create a scenery of a picnic after a very long journey, somewhere in the middle of the desert beside rocks. The crew is sitting by the fire, preparing for the night. Dust, sand and scorpions are the company of the set.

For the typography I followed a tutorial on vintage signing, the link is here. My tea packaging was meant to be more green but the printer we had in the college caused some problems. I borrowed some old books and the scarves, bought the vintage cup at the antique shop and some old photographs with handwritten envelop at the flea market. I remember I paid €5 for the lot after negotiation! I guess I paid for the fact that I did NOT have it more than anything else!

After printing and folding the boxes we were ready for the styling and photoshoot. The final product is an ad campaign for Fallon&Byrne which here in Ireland is an exotic products store and a restaurant.

 

Victorian tea and coffee packaging
Victorian tea and coffee packaging
Victorian tea and coffee packaging
Victorian tea and coffee packaging

 

SIGNAGE&TYPOGRAPHY

PACKAGING CUT OUTS

 

Kericho tea packaging

 

Kericho coffee packaging

Author: Aleksandra Walkowska

VICTORIAN FRONT GARDENS

Victorian front garden

VICTORIAN CLUES

To complete the journey on the Victorian architecture, here are some photographs that were taken in May 2018. Victorian gardens and houses in the Rathgar area.

In Ireland watering the gardens or the grass is totally unnecessary, in fact, I do not think I have ever have seen anyone doing so. Because of the humidity in the air everything around is full of life and greenery.

    

During the Industrial Revolution, there was a rapid development of the Dublin city, which at that time was under the British rule. I am not a great fan of the city centre, but I do really like the neighbourhood in which I live. It has a lot of character. When walking around it I have an impression I travelled back in time to the British colonial period. Something Irish people would not see as intriguing or entertaining as I do, at all. I only want to admire the aesthetics of that period.

Solid front doors with ornaments made of brass. Sparkle cleaned every Saturday, by very well-educated housewives. Perfectly matched colours of the doors with the facade of the buildings or with the plants in the garden. Romanticism hidden in organic vault lines over the front doors. Refined British black gates, fences and barriers. Perfect set for a romance during an Art Nouveau period.

 

Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden
Victorian front garden

Author: Aleksandra Walkowska

TEXTILES, PATTERNS AND FASHION, NCAD

FASHION DESIGN IN NCAD

Fashion Design aims to educate students to become professional practitioners in the field of fashion and related industries. Students are encouraged to have an awareness of fashion in its social and cultural context and to bring that understanding to their work.  The department places great value on its industry and professional links that gives students an insight into real-world commercial requirements. Emphasis is placed on developing informed, creative designers, who are prepared for the needs of industry. (source: here)

RACHEL MORAN

Exhausted

This screen and digitally printed collection for unisex street-ear are designed using heavy cotton, sweatshirt knits, natural denim and jersey to create an Autumn/Winter collection. The theme of this collection is sleep deprivation.  The character Timothy was developed through an exploration of this topic. His night-time imagination, the stagnant light and frustrating times are explored to create an original and eccentric aesthetic.

NIAMH TIGHE

Connect Five

My design process is driven by colour, surface and construction. Architectural forms, geometric patterns and 60s and 70s interiors inspire me. For my degree show, I have created a series of playful, interlocking, multimedia textile modules that can be adapted and rearranged for a multitude of interior purposes.

Instagram: nimhttextiles

JENNIFER CUMMINS

Words can heal, art can be anything

My work is driven by the need to represent some of the challenges of mental health through materials, imagery and text; to represent the world in a different way. The faces are a depiction of the multitude of directions that someone’s life can take when they are at the point of crisis.

Instagram: jennifertextileart

Author: Walkowska Aleksandra

NCAD FASHION, DUBLIN

FASHION&TEXTILE SHOW IN NCAD, DUBLIN

The aim of the School is to create a design culture engaged in an ongoing debate on all aspects of design, visual communication, fashion and craft; a culture that thrives on new ideas, new ways of doing things and new areas of exploration. We encourage our students to experiment and take risks in order to carve new aesthetic paths and make technical innovations within, and beyond, their design discipline. (source: click here)

JENNIFER REID

Poison Ivy

Research is driven by childhood memories and themes around civilisation versus nature. Contrasting structured silhouettes and playful tulle, my womenswear collection portrays what we usually view as a weakness becoming a strength.

ELLIE CONNOLLY

Passion in the Kitchen

A romantic ephemeral collection based on my parent’s relationship in their restaurant. Creative fabric manipulation techniques combined with an organic approach to garment construction are the main drives in my work.

insta: ellieconnolly9

NIAMH McTIERNAN

Shimmering Crowntails

My aim is to reflect the beauty of nature in the clothes that we wear. Shimmering Crowntails is an exploration of the reflective and refractive metallic surface qualities of fish. The challenge is to turn something old into something new, to create beautiful handcrafted unique, vintage garments with a contemporary look.

niamhmctiernan.wordpress.com

ANJA MAYE

Luv Club

Luv Club brings together two contrasting identities: traditional Croatian dress and the creativity instigated in a clubbing environment. I pay homage to the Licitar, a gift of love and use my personal documentation of clubs and parties to create a new identity. A celebration of love and party culture.

Instagram: anjamaye

LAUREN GIBSON

Raithneach

In ancient Ireland, mythology and folklore were a fundamental part of the knowledge encompassing each tree. They were talismans, each with their own meanings, uses and stories. My work explores native Irish woodlands through the juxtaposition of each species recreated in cloth, with excerpts from the National Folklore Collection.

Insta: laursgibson

OTHER FASHION&TEXTILE ARTISTS

I could not find a link or a name to all the artists featured in this post. If you recognise your artwork here please, contact me and I will provide the relevant links.

Author: Walkowska Aleksandra

HOBBS WINDOW DISPLAY PROPOSAL

HOBBS-BRITISH STYLE FASHION

This is the very first window display I have created during the Visual Merchandising course I did at DIT College in Dublin. I wanted to create a window which was a mix of a traditional British style and child-like drawings. I wanted to show this in a grotesque way, as a place where little girls like to dress in their mother’s clothes pretending they are adults. The window proposal is made of an electric tape, chalk and handmade paper bags as a merchandising product.

Hobbs window proposal
Hobbs window proposal in DIT College

HOBBS STYLE

Hobbs style
Hobbs style board

INSPIRATION

THE PROCESS OF MAKING

Researched British folk, illustration and patterns to develop the design idea.

THE FINAL PRODUCT

Hobbs style hand made paper bags
Hobbs style handmade paper bags

Author: Walkowska Aleksandra