The third time I went with my camera for the milonga evening I was feeling well experienced and prepared.
Milonga dance incorporates the same basic elements as Tango but permits a greater relaxation of legs and body. Movement is normally faster, and pauses are less common. It is usually a kind of rhythmic walking without complicated figures, with a more humorous and rustic style in contrast with the serious and dramatic Tango. (source: here)
I had to check myself what a milonga is …
Tango evenings in Dublin were always more of social events for me. Great way to network. The Third Place as they call it in marketing. The kind of a place where one meets people who are not connected to the work, family or personal past. Conversations are universal, thought to require good social skills and some general knowledge to share with others while conversing. Unless one wants to talk about tango … but there is no point of bringing wood into the forest.
There happened a good few marriages in the group, few children were born and some painful break-ups too. Some left Ireland for good, some stayed loyal to the dance for years and years. People come and go. The endorphins keep bringing people together.
I am very happy with this shoot. A couple of tango dancers are standing still, concentrating. Silence before the storm. It is so relaxing. Every time I look at it, I am Zen.
After the film broke apart in my Zenit camera, bravely I tried again a week later. This time with a different equipment but the same film Ilford Delta 400. One of the tango dancers, who was more experience than me with manual cameras, was very kind and helped me to change the film. That evening I must have used two rolls of film.
When I was reducing the size of images in Photoshop for this post I started getting very sentimental … in general. It must be the effect of the black and white photographs with all the noise in them, like a vinyl record with slightly huskily sound. The passing of time. Special moments appreciated more as they are gone. Life.
“All those moments will be lost in time, like tears in rain.
Time to die.”
Tears in rain, Blade Runner
MUSIC IN THE SOUL
Girls dancing with the girls! Boys dancing with the boys! Laughters, whispers, spontaneity. Joy!
FACES, PEOPLE, COUPLES, FRIENDS
Love affairs, broken hearts, bonding, flirtation, jealousy. Passion.
PRACTICE MAKES PERFECT
Step by step. Patience, perseverance, hard work. Relax.
One of the projects during the Visual Communication course I was studying in Dublin, was to make a documentary of a daily life using a manual camera. Below photographs were taken with Zenit camera, which was manufactured in Russia formerly the Soviet Union since 1952. I was using a film Ilford Delta 400. Later on, I used another college camera of a different brand with the same film (unfortunately I can not remember the name of it). The result is slightly different. The Zenit camera created more noise in the photographs.
The project was an eye opener to how much more skills were involved photographing manually. One had to be quick with an excellent understanding of the technology and the lighting. Each photograph had only one chance to come out successfully. Even if they are not perfect they are more natural and authentic … in my opinion.
Another positive aspect is developing them in the traditional way. Printouts extend the life of the photographs and can be passed to the next generations. Digitally stored photographs may last forever but will be seen by very, very few people who are around us physically at the given moment.
How sad really …
We can be heroes just for one day We can be us just for one day
The concept for the pop-up shop is a combination of two elements; wood the Canadians natural resource and jazz music. The construction of the container is solid and classic. Walls are covered in a black colour, spiced with an orange in reference to vivid notes in jazz. The display units are inspired by the shape of music coming out of a saxophone or a grand piano.
The Montreal Jazz Festival takes place every year in July and it is the largest jazz festival in the world. Every year it brings in around 3000 artists from 30 countries. The festival hosts in around 2 million people every year.
If it ever came to a construction of this pop-up shop converted from a freight train container I imagine it in a dense greenery, park or in the forest. Often, the deep, dense of greenery is so dark it appears black. Therefore, the colours of the pop-up shop would balance very well in nature, creating a coherent unity.
This screen and digitally printed collection for unisex street-ear are designed using heavy cotton, sweatshirt knits, natural denim and jersey to create an Autumn/Winter collection. The theme of this collection is sleep deprivation. The character Timothy was developed through an exploration of this topic. His night-time imagination, the stagnant light and frustrating times are explored to create an original and eccentric aesthetic.
My design process is driven by colour, surface and construction. Architectural forms, geometric patterns and 60s and 70s interiors inspire me. For my degree show, I have created a series of playful, interlocking, multimedia textile modules that can be adapted and rearranged for a multitude of interior purposes.
Words can heal, art can be anything
My work is driven by the need to represent some of the challenges of mental health through materials, imagery and text; to represent the world in a different way. The faces are a depiction of the multitude of directions that someone’s life can take when they are at the point of crisis.
Research is driven by childhood memories and themes around civilisation versus nature. Contrasting structured silhouettes and playful tulle, my womenswear collection portrays what we usually view as a weakness becoming a strength.
Passion in the Kitchen
A romantic ephemeral collection based on my parent’s relationship in their restaurant. Creative fabric manipulation techniques combined with an organic approach to garment construction are the main drives in my work.
My aim is to reflect the beauty of nature in the clothes that we wear. Shimmering Crowntails is an exploration of the reflective and refractive metallic surface qualities of fish. The challenge is to turn something old into something new, to create beautiful handcrafted unique, vintage garments with a contemporary look.
Luv Club brings together two contrasting identities: traditional Croatian dress and the creativity instigated in a clubbing environment. I pay homage to the Licitar, a gift of love and use my personal documentation of clubs and parties to create a new identity. A celebration of love and party culture.
In ancient Ireland, mythology and folklore were a fundamental part of the knowledge encompassing each tree. They were talismans, each with their own meanings, uses and stories. My work explores native Irish woodlands through the juxtaposition of each species recreated in cloth, with excerpts from the National Folklore Collection.
OTHER FASHION&TEXTILE ARTISTS
I could not find a link or a name to all the artists featured in this post. If you recognise your artwork here please, contact me and I will provide the relevant links.