The concept for the pop-up shop is a combination of two elements; wood the Canadians natural resource and jazz music. The construction of the container is solid and classic. Walls are covered in a black colour, spiced with an orange in reference to vivid notes in jazz. The display units are inspired by the shape of music coming out of a saxophone or a grand piano.
The Montreal Jazz Festival takes place every year in July and it is the largest jazz festival in the world. Every year it brings in around 3000 artists from 30 countries. The festival hosts in around 2 million people every year.
If it ever came to a construction of this pop-up shop converted from a freight train container I imagine it in a dense greenery, park or in the forest. Often, the deep, dense of greenery is so dark it appears black. Therefore, the colours of the pop-up shop would balance very well in nature, creating a coherent unity.
This screen and digitally printed collection for unisex street-ear are designed using heavy cotton, sweatshirt knits, natural denim and jersey to create an Autumn/Winter collection. The theme of this collection is sleep deprivation. The character Timothy was developed through an exploration of this topic. His night-time imagination, the stagnant light and frustrating times are explored to create an original and eccentric aesthetic.
My design process is driven by colour, surface and construction. Architectural forms, geometric patterns and 60s and 70s interiors inspire me. For my degree show, I have created a series of playful, interlocking, multimedia textile modules that can be adapted and rearranged for a multitude of interior purposes.
Words can heal, art can be anything
My work is driven by the need to represent some of the challenges of mental health through materials, imagery and text; to represent the world in a different way. The faces are a depiction of the multitude of directions that someone’s life can take when they are at the point of crisis.
Research is driven by childhood memories and themes around civilisation versus nature. Contrasting structured silhouettes and playful tulle, my womenswear collection portrays what we usually view as a weakness becoming a strength.
Passion in the Kitchen
A romantic ephemeral collection based on my parent’s relationship in their restaurant. Creative fabric manipulation techniques combined with an organic approach to garment construction are the main drives in my work.
My aim is to reflect the beauty of nature in the clothes that we wear. Shimmering Crowntails is an exploration of the reflective and refractive metallic surface qualities of fish. The challenge is to turn something old into something new, to create beautiful handcrafted unique, vintage garments with a contemporary look.
Luv Club brings together two contrasting identities: traditional Croatian dress and the creativity instigated in a clubbing environment. I pay homage to the Licitar, a gift of love and use my personal documentation of clubs and parties to create a new identity. A celebration of love and party culture.
In ancient Ireland, mythology and folklore were a fundamental part of the knowledge encompassing each tree. They were talismans, each with their own meanings, uses and stories. My work explores native Irish woodlands through the juxtaposition of each species recreated in cloth, with excerpts from the National Folklore Collection.
OTHER FASHION&TEXTILE ARTISTS
I could not find a link or a name to all the artists featured in this post. If you recognise your artwork here please, contact me and I will provide the relevant links.
Coming into the room full of butterflies within a second I was under an impression that I was covered in them! Even though they were not flying it felt that they were. There was so much to look at, I felt excited as a child who is chasing butterflies on a hot summer day.
Like if I was dreaming one of my abstract dreams where I am feeling happy and hyper. Stimulated by images appearing in front of my eyes, knowing I would wake up in a good mood because of the mad, colourful dream. Even if it was hard to find a story and a connection between one artwork and another, all together it made a perfect sense. Freakshow is like a dream wrapped in a warm blanket of all shades of brown colour.
‘Surrounded by ideals of perfection, my interest lies in the feelings of inadequacy and self-doubt; resulting in fantasies of escape and evolution to compensate. Using a variety of mixed media and textile techniques, I explore and imagined a narrative that borrows from a dark but humorous aesthetic informed by a freak show of hybrid creatures. A celebration of the imperfect has resulted in an installation that takes a classroom as the stage for an eerie metamorphosis.’ says Lauren Hoey
Apologies for being dormant on Facebook. Here's a little clip of 1 out of 70 paper cut butterflies I've been working on. In total, the 70 butterflies took approx. 12 hours, 7 scalpel wounds, 3 tears and a dash of blood.
The exhibition is taking place each year at the end of June and usually, it lasts for ten days. Among Dublin art colleges it is the most creative graduate’s shows.
The origins of the College date from 1746 and by 1924 the National College of Art and Design was fully established. The campus is located on Thomas Street in around the area of Guinness Storehouse. The College has four Schools; Design, Education, Fine Art and Visual Culture.
The School of Design is the largest in the College and comprises ceramics, glass, metals, fashion design, industrial and product design, textile design and visual communication. In design, the emphasis is on solving specific problems set by the project. While students are expected to master the relevant technologies, the aesthetic design factor is stressed equally. There are many links with industry and students often work on competitions sponsored by commercial firms. The College aims to promote a broad education in design which can be the basis for a variety of careers either as part of a team in industry or by working individually in a studio or small business. (source http://www.ncad.ie/about)
I had taken a large number of photographs on that day and unfortunately was unable to take the names, titles and the contact details of the artists. If any of the artists will come across this article, please contact me and I will provide a relevant link to your work.
I have chosen three male characters from Shakespeare’s plays: Hamlet, King Lear and The Merchant of Venice. In styling the denim products, I wanted to create a display for male customers of M&S, creating a contemporary look mixed with the presence of Shakespeare’s characters and the versatility and long tradition of denim as a fashion material.
The year 2016 was the year of the 400th anniversary of the death of William Shakespeare, this event became an inspiration for my project. Among other things, I also wanted to work with men’s fashion. It seems to me it is less restrictive than women’s fashion and also it is difficult to dress a man badly. The styling is very informal, and each of the models wears a denim fabric.
The most consuming of all was making the props: skull, mask, crown and wreath. Props have been preserved to this day, decorated with Swarovski crystals, they look very good on the white wall of my apartment.
TRADITION OF DENIM FABRIC
Through my research, I found out some interesting facts about denim fabric. It has a long tradition goes back to as far as seventeen century. There is a dispute where did it originate from Italy or France?
The colour of denim wasn’t blue at the start and the Italian sailors in the city of Genoa where making trousers out of it for work in the harbours. The material was strong and sturdy. The French pronounce the word Genoa – Gênes, it may be the origin of the word jeans.
In France, in the city of Nîmes the French were trying to reproduce the jean but instead, they created similar fabric later on known as denim. From Nîmes as the French say de Nîmes – denim.